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Published by Aperture, 1990
ISBN 10: 089381430XISBN 13: 9780893814304
Seller: Amazing Books Pittsburgh, Pittsburgh, PA, U.S.A.
Book
paperback. Condition: Very Good. Unmarked pages. Light cover-wear. Lh.
Published by Aperture Foundation, New York, 1990
ISBN 10: 0893814466ISBN 13: 9780893814465
Seller: Gil's Book Loft, Binghamton, NY, U.S.A.
Book First Edition
Soft cover. Condition: Fine. 1st Edition. Oversized slim trade paperback, photo green covers. Includes "The Unveiled: Algerian Women, 1960" by Carole Nagger. With b/w & color photos 28950 shelf 80 p. Book.
Published by Art Press, Los Angeles, 1990
Seller: Montreal Books, Westmount, QC, Canada
First Edition
Soft Cover / Couverture Souple. Condition: Near Fine. Number 726 of 5000. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 4to / in-4o, 48pp. Book.
Published by Aperture, New York, 1989
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 76 pages, illustrations. (some colour); 29 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. CONTENTS: Armed only with a camera: An interview with Dmitri Baltermants; No more heroic tractors: Subverting the legacy of Socialist realism, by Rosalinde Sartori; Boris Savelev's "photocartochi"; Many nations, many voices, by Daniela Mrazkova; Lyalya Kuznetsova's scenes of gypsy life, by Inge Morath; The perestroika of memory, by Olga Andreyev Carlisle; The nude unbound; Dark light, by Peeter Linnap; Up from Underground, by Hannu Eerikainen; People & ideas. Soviet filmmakers: an interview with Leonid Gurevich, Hertz Frank, Sergei Muratov, and Nadezhda Khvorova, by Nan Richardson; Stopping time: Vanishing Presence, at the Walker Art Center, Minneapolis, by Reviewed by Nancy Roth; Between two worlds: Photems: Gerlovina/Berghash/Gerlovin, at the Art Institute of Chicago, by Reviewed by James Yood; Back to the future: America worked. The 1950s photographs of Dan Weiner, by William A. Ewing, by Reviewed by Steve Dietz. Photographers include: Dmitri Baltermants, Natalya Chekomskaya, Elena Darikovich, Igor Gavrilov, Anatoly Garanin, Francisco Infante, Toomas Kalve, Toomas Kaasik, Vyacheslav Koleichuk, Rein Kotov, Lyalya Kuznetsova, Peeter Laurits, Peeter Linnap, Vitas Luckas, Alexandras Macijauskas, Herkki-Erich Merila, Boris Mikhailov, A. Nikovaeva, Romualdas Pozerskis, Roman Pyatkov, Romualdas Rakauskas, Boris Savelev, Kalju Suur, Alexis Titarenko, Tonu Valge, Georgi Zelma, Vladimir Zotov. Size: 4to. Collectible.
Published by Art Press, Los Angeles, 1990
Seller: RPBooks, Champlain, NY, U.S.A.
First Edition
Soft Cover / Couverture Souple. Condition: Near Fine. Number 726 of 5000. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 4to / in-4o, 48pp. Book.
Published by (New York: Aperture Foundation, Inc., 1989). 1989)., 1989
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Fine. (New York: Aperture Foundation, Inc., 1989). 1989). Fine. - Quarto [11-3/8 inches high by 9-1/2 inches wide], soft cover bound in pictorial grayish blue wraps. The wraps are very lightly rubbed & slightly bumped. 76 pages plus ads. Profusely illustrated in color and black & white. Near fine.
Published by Chicago Center for Contemporary Photography, Chicago, IL U.S. A., 1979
Seller: Bookworks, Chicago, IL, U.S.A.
Book
Soft cover. Condition: Fine. Fine binding and contents. Catalogue for the Michael Bishop exhibit, March 2- April 14,1979, at Columbia College, Chicago.
Published by Chicago Center for Contemporary Photography - Columbia College, Chicago, IL, 1979
ISBN 10: 0932026036ISBN 13: 9780932026033
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Oblong softcover. Exhibition catalog for a show that ran October 15 through November 9, 1979. Edited and with an introduction by Charles Desmarais. Essay by Charles Hagen. Includes 12 color and 24 black and white illustrations. A near fine copy in wrappers.
Published by Aperture, New York, 1989
ISBN 10: 0893814105ISBN 13: 9780893814106
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Softcover. Fall 1989. 76 pages. Includes images by these photographers: Boris Mikhailov, Boris Savelev, Lyalya Kuznetsova, and Peeter Laurits. A near fine copy in wrappers.
Published by Aperture, New York, 1991
ISBN 10: 0893814881ISBN 13: 9780893814885
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Softcover. Fall 1991. 77 pages. Includes images by: Man Ray, Brassai, Harry Callahan, Laszlo Moholy-Nagy, David Hockney, Lee Freidlander. Also features an article on Robert Rauschenberg. A very near fine copy in wrappers.
Published by A. R. T. Press, New York, 1990
ISBN 10: 0923183043ISBN 13: 9780923183042
Seller: KULTURAs books, Los Angeles, CA, U.S.A.
Book First Edition
Paperback. Condition: As New. First Edition. Softcover with dust jacket. First printing of first edition. Book is As New, crisp and clean, with color and black-and-white plates of Reed's art, plus an interview with him by Stephen Ellis and an essay by Charles Hagen. Small 4to. 48 pp.
Published by Aperture Foundation, New York, 1990
ISBN 10: 0893814245ISBN 13: 9780893814243
Seller: Christopher Morrow, Bookseller, Port St. Lucie, FL, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Fine. 88pp. 9 5/8" x 11 3/8". Photographic wraps. Cover photo by Josef Sudek, Evening at Charles Bridge, ca. 1940. Photo on verso by Joan Fonteuberta. A wonderful collection of Sudek's black and white photographs. Magazine shows minimal shelf wear.
Published by Apderture Foundation, New York, 1989
ISBN 10: 0893813788ISBN 13: 9780893813789
Seller: Christopher Morrow, Bookseller, Port St. Lucie, FL, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Fine. 80pp. 9 5/8" x 11 3/8". Photographic wraps. Cover photo is by William Eggleston. Photographers represented here: John McWilliams, Debbie Fleming Caffery, and many others. There is an interview with William Eggleston with five pages of color photos. See my photo of the Contents page for others. This issue is in prisitine (Fine) condition with only a small wrinkle on the lower left front corner.
Published by Aperture Foundation, New York, 1989
ISBN 10: 0893814105ISBN 13: 9780893814106
Seller: Christopher Morrow, Bookseller, Port St. Lucie, FL, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Fine. 80pp. 9 5/8" x 11 3/8". Photographic wraps. Cover photo is by Antanas Sutkus, Pioneer, from the series "People of Lithuania." Photo on verson is by Marek Gardulski. Various photographers and articles. Issue is in Fine condition with hardly any shelf wear. See Contents photo for more information.
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Published by Aperture Foundation, New York, 1989
ISBN 10: 089381377XISBN 13: 9780893813772
Seller: Christopher Morrow, Bookseller, Port St. Lucie, FL, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Fine. 80pp. 9 5/8" x 11 3/8". Photographic wraps. Front cover photograph by Michael Spano, Untitle, 1988. Rear cover photo by Marsha Burns. Contributors (writers) to this issue: Robert Atkins, Paul Auster, Max Kozloff, Donald Kuspit, Brendan Lemon, Will McBride, and Nan Richardson. Many photographers have contributed black and whie and colr photos. Minimal shelf wear.
Published by Chicago Center for Contemporary Photography - Columbia College, Chicago, IL, 1979
ISBN 10: 0932026036ISBN 13: 9780932026033
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition Signed
First edition. Oblong softcover. Exhibition catalog for a show that ran October 15 through November 9, 1979. Edited and with an introduction by Charles Desmarais. Essay by Charles Hagen.Includes 12 color and 24 black and white illustrations. A near fine copy in wrappers. Signed and inscribed by Bishop on the half title page to photographer Joseph Jachna. A nice association copy.
Published by Aperture Foundation, New York, 1988
ISBN 10: 0893813400ISBN 13: 9780893813406
Seller: Christopher Morrow, Bookseller, Port St. Lucie, FL, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Fine. 80pp. 9 5/8" x 11 3/8". Photographic wraps. Front cover photograph by Calum Colvin, The Garden of Earthly Delights (detail), 1987. Rear cover photograph by Boyd Webb. Lots of black and white and color photos. Minimal shelf wear. Contents: Where We've Come From: Aspects of Postwar British Photography by Mark Haworth-Booth Landscape and the Fall by Chris Titterington Thather's Britain with various photographers Between Frames by Susan Butler Other Britains, Other Britons by Gilane Tawadros Through the Looking Glass by Rosetta Brooks Romances of Decay, Elegies for the Future by David Mellor People & Ideas, The B Movie Phenomenon: British Cinema Today by Michael O'Pray.
Published by DelMonico Books 2024-04-04, New York, 2024
ISBN 10: 1636811248ISBN 13: 9781636811246
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
Published by Springer Verlag, 2014
ISBN 10: 1447164962ISBN 13: 9781447164968
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 400 pages. 9.25x6.25x1.00 inches. In Stock.
Published by The Visual Studies Workshop, Rochester, 1979
Book
Soft cover. Condition: Fine. Volume 7. Number 3. October 1979. 24 pages. Summary: Camden conference looks at "The Published Photograph" by Elizabeth Lindquist-Cock; Arles 79: Ten years of "Les "rencontres internationales" by Estelle Jussim ; A Flaherty celebration by Marita Sturken; Film and video in the Whitney Biennial by Deirdre Boyle; "Attitudes": Surveying the 70s by Hal Fischer . CORRESPONDENTS: New Mexico: Work by women "outside the mainstream" by Meridel Rubenstein; Washington: Photography at the Corcoran by James Casse. REVIEWS: Light Reading and Photography & Fascination(reviewed by James Kaufmann); 'The Champion Pig (reviewed by Maren Stange); Jerry McMillan(reviewed by James Hugunin). Number 4. November 1979. 20 pages. Summary: Center Builds a Photography Archive in Tucson by Jan Zita Grover; CAPS Videotapes: Wegman, Kolpan, Hocking, Hill, Lucier; Jack Fulton's Puns and Anagrammatic Photographs by Van Deren Coke; The Rigors of Business: Mathew Brady's Photography in Political Perspective by Jennifer Todd. REVIEWS. 1O NEWS. Living in L.A. by James Hugunin; A Yank at Oxford by David Reed. Number 5. December 1979. 20 pages. Summary: Siskind honored at Northeast SPE by David Trend; In New Haven, art meets sociology by Catherine Lord; American Studies conference: Lots of smoke, some fire by James Kaufmann; Linda Connor: Solos and landscapes. Reviews by Dana Asbury and James Hugunin; Film und Foto, 1929: Towards a language of silent film by Jan-Christopher Horak; Jane Wenger: The dialectics of sexuality by Carole Harme. REVIEWS: Alfred?the Great? by David L. Jacobs; From formal to family by Anthony Bannon; Nevadaby Sally Eauclaire; Heroic journey by Jeanne Riley Forstenzer. Number 6. January 1980. 20 pages. Summary: NEA announces photography fellowships for 1980 by Charles Hagen; Whitney film conference: back to the beginning by Scott MacDonald; Edward Steichen: always modern, always traditional by Anthony Bannon; Women and photography: some thoughts on assembling an exhibition by Catherine Lord; Art between the covers by Adam Weinberg; New electronic technology: and for whom by Peter Mitchell; Doherty resigns as Eastman House director by Charles Hagen. Number 7. February 1980. Summary: It was video, video, video at Athens Festival by Deidre Boyle; James Byrne's video environments by Marie Cieri; Rachel Youdelman: a pleasant sense of ennui by James Hugunin; An interview with Robert Huot by Scott MacDonald. REVIEWS: Brassai's Paris by David Reed; Art and Commerce by Terence R. Pitts. Number 9. April 1980. 24 pages. Summary: Media independents push for access by Marita Sturken; Filmmaker's expo: animation, documentaries shine by Scott MacDonald; Photographs and time by Charles Hagen; Cameras can't see: representation, photography and human vision by Marx Wartofsky; Reflections on art in photography by Alan Trachtenberg; Jenny Wrenn: the photograph as imprint by James Hugunin. REVIEWS:The academy by Andy Grundberg; A capital decade by Marguerite Welch; Space invaders by Michael Costello. CORRESPONDENTS. Chicago: Barbara Karant's elegant interiors; Jerry Uelsmann's recent work by Carole Harmel. Number 10. May 1980. 24 pages. Summary: SPE buckles down in the Borscht Belt by Catherine Lord; Film tribe powwows at anthro conference by Marita Sturken; Ugo Mulas: Verifications by Ulrich Keller (article covering 8 pages); REVIEWS Variable vision by David Reed. NEWS NOTES. ICP: Color is the subject by Judith Gerber; 22 RIT: but for how long? by Cindy Furlong. - all first editions and in fine condition.
Published by The Friends of Photography, in association with Light Gallery, Carmel, California, 1980
ISBN 10: 0933286198ISBN 13: 9780933286191
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition Signed
Hardcover. Condition: New. 1st Edition. First edition, first printing. Limited edition of 2,000 signed and stamped-numbered copies. Signed on the limitation page by Heinecken (the book was shrink-wrapped by the publisher after it was signed). Hardcover. Black cloth-covered boards with title debossed on cover and stamped in silver on spine, no dust jacket as issued. Photographs, prints, mixed-media works and text by Robert Heinecken. Edited by James Enyeart. Contributions by Marvin Bell, Carl Chiarenza, Candida Finkel, Charles Hagen, William Jenkins and John Upton. Includes a chronology, exhibition history and bibliography. Designed by Peter A. Andersen. 160 pp., with 58 four-color and 39 black and white plates printed on 100-lb. Quintessence dull book paper by Garder/Fulmer Lithography, Buena Park, California. 9-1/4 x 12-1/4 inches. Out of print. Scarce. This is the first major publication of Heinecken's work. New in publisher's shrink-wrap and original cardboard shipping box (signed before packaging). About Robert Heinecken: Robert Heinecken is one of the most innovative and influential artists of the second half of the 20th century. He was a pioneer of postmodern photographic practices, and his work anticipated the Pictures Generation artists of the 1970s and 1980s who practiced the appropriation of images from advertising and the media. A self-described "para-photographer," Heinecken was always challenging the conventions of the then-accepted "canon" of photography. He transformed the possibilities of the medium, and had a profound impact on many photography-based artists who studied with him. Influenced by Dada and Surrealism, especially Marcel Duchamp, Man Ray and John Heartfield, Heinecken worked with numerous photographic techniques and materials, oftentimes combining them with various printmaking processes. In addition to offset lithography and etching, he made use of film transparencies, photographic emulsion on canvas, gelatin silver prints mounted to wood (e.g., "Multiple Solution Puzzle" Series), Polaroid materials, mixed media collage and photograms (e.g., ARE YOU REA and Recto/Verso Series). His source materials included popular "lifestyle" magazines, advertising, images taken directly from television screens, pornography and news photographs. Through his ground-breaking works, Heinecken transformed American notions of consumerism, war, eroticism and mass media. From Robert Heinecken (in the mid-1960s): "We constantly tend to misuse or misunderstand the term reality in reference to photographs. The photograph itself is the only thing that is real, that exists. (There is a vast difference between taking a picture and making a photograph.)." An excerpt from a text written by Carl Chiarenza (in 1976): "He uses existing photographs. and their reproductions because they have littered the world and our minds with unlimited examples of every conceivable image of truth, beauty, banality, eroticism, brutality, pornography, consumerism, political idea, personality, idol, and ideal. Indeed one is hard put to name anything that has not been replaced by a photographically derived image. His recycling of these images makes this astounding point before making any other. Heinecken knows the photograph is not real. He also knows that most of us still believe it is. The camera eye is lusty and insatiable, a perfect match for Heinecken's eye." Robert Heinecken was born in 1931 in Denver, Colorado and in 1942 his family relocated to Riverside, California. After serving in the US Marine Corps, he earned a BA in 1959 from the University of California, Los Angeles, where he continued his studies, specializing in printmaking and graduating with an MFA in 1960. He founded the graduate program for photography at UCLA in 1964, where he taught until 1991. Heinecken died at age 74 in 2006 in Albuquerque, New Mexico. Signed by Author.