Items related to The Public in the Picture: Involving the Beholder in...
The Public in the Picture: Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art (BilderDiskurs) - Hardcover
The act of including bystanders within the scene of an artwork has marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the “public” in the picture could be seen as a mediating between different times, people, and contents.
With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, and Daniela Wagner.
With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, and Daniela Wagner.
"synopsis" may belong to another edition of this title.
About the Author:
Beate Fricke is associate professor of medieval art at the University of California, Berkeley, and the author of Fallen Idols, Risen Saints.Urte Krass is assistant professor in the Institute for Art History at the Ludwig Maximilian University of Munich.
"About this title" may belong to another edition of this title.
- PublisherDiaphanes
- Publication date2015
- ISBN 10 3037344784
- ISBN 13 9783037344781
- BindingHardcover
- Number of pages288
- EditorFricke Beate, Krass Urte
Buy New
Learn more about this copy
US$ 54.34
Shipping:
US$ 2.64
Within U.S.A.
Top Search Results from the AbeBooks Marketplace
Seller Image
Public in the Picture / Das Publikum im Blid : Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art /Beitrage aus der Kunst der Antike, des Islam, aus Byzana und dem Western
Seller:
Rating
Book Description Condition: New. Seller Inventory # 23206665-n
Buy New
US$ 54.34
Convert currency
Stock Image
The Public in the Picture Format: Hardcover
Published by
University of Chicago press
(2015)
ISBN 10: 3037344784
ISBN 13: 9783037344781
New
Hardcover
Quantity: > 20
Seller:
Rating
Book Description Condition: New. Brand New. Seller Inventory # 9783037344781
Buy New
US$ 53.00
Convert currency
Stock Image
The Public in the Picture: Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art (BilderDiskurs)
Seller:
Rating
Book Description Condition: Neuf. Seller Inventory # 9783037344781
Buy New
US$ 55.98
Convert currency
Seller Image
Public in the Picture / Das Publikum im Blid : Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art /Beitrage aus der Kunst der Antike, des Islam, aus Byzana und dem Western
Seller:
Rating
Book Description Condition: New. Seller Inventory # 23206665-n
Buy New
US$ 67.45
Convert currency
Seller Image
The Public in the Picture / Das Publikum im Bild : Involving the Beholder in Antique, Islamic, Byzantine, Western Medieval and Renaissance Art / Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen
Published by
Diaphanes, University Of Chicago Press Mär 2015
(2015)
ISBN 10: 3037344784
ISBN 13: 9783037344781
New
Hardcover
Quantity: > 20
Seller:
Rating
Book Description Buch. Condition: Neu. Neuware - Das Auftauchen von Figuren, die an einem dargestellten Ereignis partizipieren, die man jedoch nicht mit Namen benennen kann, zeugt von einem Wandel im Verhältnis zwischen Bildern und ihren Betrachtern. Diese Betrachterfiguren agieren als Vermittler zwischen Zeiten, Personen und Inhalten. So schart sich auf den sogenannten 'volkreichen' Kalvarienbergen Publikum um Maria, die Apostel, Longinus und die Schergen; an Grabmälern sind Trauernde zu sehen und auf Kanzelreliefs richten Einzelpersonen ihren Blick auf den Betrachter; auf byzantinischen Darstellungen des Marientodes sowie dann bei Duccio und Giotto folgen Trauernde dem Sarkophag der toten Maria. Während es bereits relativ früh die 'Anderen' gab, z.B. als Gruppen von Fremden, Armen, Kranken, Andersgläubigen oder Feinden, gehören die Figuren der Betrachter zunehmend der Gemeinschaft der zentralen Protagonisten im Bild an. Diese Figuren fördern nicht nur die Aufmerksamkeit für das Ereignis im Bild und überbrücken Zeitdifferenzen, sie fordern auch selbst Aufmerksamkeit ein. Inwieweit lassen diese Erweiterungen des Personals, das die Protagonisten begleitet, Rückschlüsse auf veränderte Bedingungen in der Welt außerhalb des Bildes zu Der vorliegende Band möchte diese Veränderung aus der Perspektive des westlichen Mittelalters, der byzantinischen Kunst, der islamischen Kunst und auch mit Blick auf ihre Vor- und Nachgeschichte diskutieren. Seller Inventory # 9783037344781
Buy New
US$ 56.03
Convert currency
Seller Image
The Public in the Picture / Das Publikum im Bild
Published by
diaphanes|University of Chicago Press
(2015)
ISBN 10: 3037344784
ISBN 13: 9783037344781
New
Hardcover
Quantity: > 20
Seller:
Rating
Book Description Gebunden. Condition: New. Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation.Das Auftauchen von Figuren, die an einem dargestellten Ereignis partizipieren, die man jedoch nicht mit Namen. Seller Inventory # 21100991
Buy New
US$ 56.03
Convert currency
Seller Image
The Public in the Picture Involving the Beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance Art (Hardcover)
Published by
Diaphanes AG, Zurich
(2015)
ISBN 10: 3037344784
ISBN 13: 9783037344781
New
Hardcover
Quantity: 1
Seller:
Rating
Book Description Hardcover. Condition: new. Hardcover. The act of including by standers within the scene of an artwork marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the "public" in the picture could be seen as a mediating between different times, people, and contents. With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, Daniela Wagner, and Ittai Weinryb. Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783037344781
Buy New
US$ 81.11
Convert currency
Stock Image
The Public in the Picture Involving the Beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance Art (Hardcover)
Published by
Diaphanes AG, Zurich
(2015)
ISBN 10: 3037344784
ISBN 13: 9783037344781
New
Hardcover
Quantity: 1
Seller:
Rating
Book Description Hardcover. Condition: new. Hardcover. The act of including by standers within the scene of an artwork marked an important shift in the ways artists addressed the beholder, as well as a significant transformation of the relationship between images and their viewership. In such works, the "public" in the picture could be seen as a mediating between different times, people, and contents. With The Public in the Picture, contributors describe this shift, with each essay focusing on a specific group of works created at a different moment in history. Together, the contributions explore the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Contributors to The Public in the Picture include Andrew Griebler, Annette Haug, Henrike Haug, Christiane Hille, Christopher Lakey, Andrea Lermer, Cornelia Logemann, Anja Rathmann-Lutz, Alberto Saviello, Daniela Wagner, and Ittai Weinryb. Explores the political, religious, and social contexts of the publics depicted and relate this shift to the rise of perspectival representation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783037344781
Buy New
US$ 93.19
Convert currency