About the Author:
Heather O'Neill has written for This American Life and the New York Times. Her first novel, Lullabies for Little Criminals, was shortlisted for the Orange Women's Prize; her second, The Girl who was Saturday Night, was longlisted for the Baileys Women's Fiction Prize, and shortlisted for the Giller Prize, as was her collection of short stories, Daydreams of Angels. She lives in Montreal with her daughter and a chihuahua named Hamlet.
Review:
'Reminded me a little of The Perks of Being a Wallflower as it is a coming of age tale with dark overtones. The writing is remarkable; Nouschka's unique way of looking at the world is reflected in the style ... A good read with memorable characters' We Love This Book. * We Love This Book * 'O'Neill's voice is singular, brave, magical, and bursting with stark beauty' Lisa Moore, author of February. * Lisa Moore * 'O'Neill's prose is beautiful - her turns of phrase and vivid descriptions of Nouschka and Nicolas' life on the edge of society are nothing short of brilliant ... A brilliantly written coming-of-age tale where you never know what's going to happen next' **** Heat. * Heat * 'An exuberantly written coming-of-age story ... Flashbulb-bright and memorable ... Nicolas and Nouschka are the beautiful, frozen, fetishised symbols of separatist Quebec. As they try to wrench themselves into being, their story is as entrancing and antic and sensual as a dream' Amity Gaige, Guardian. * Guardian * 'Peppered with sharply witty phrases ... There are touches of whimsy - but this is far from a whimsical novel. It's about fame and its fallout, parenting and irresponsibility, love and dependency ... What begins as a rambunctious, party girl's story ends in quiet hope with a riotous ride in between' A Life in Books. * A Life in Books * 'For fans of the author, and high quality literary fiction this surpasses expectations ... strong storytelling and narrative drive' New Books. * New Books * 'Delightfully bizarre ... The author stuns with the vivid descriptions and metaphors that are studded throughout the book' Kirkus. * Kirkus * 'A marvelously intriguing novel of a family in dissolution, each member of which is richly and memorably characterized ... beautifully written, particularly rich in simile and metaphor and compulsively readable ... a delight' Booklist. * Booklist * 'I loved how strong Nouschka is - totally inspiring. And a stunning read!' Company. * Company * Delightfully bizarre . . . what really shines here is O'Neill's writing. The author stuns with the vivid descriptions and metaphors that are studded throughout . . . A coming-of-age story with a working-class, reality TV twist * Kirkus * No one's depiction of the shady side of life is as luminous - or as heart-wrenching - as Heather O'Neill's * Nancy Huston * Heather O'Neill does it again! The Girl Who Was Saturday Night is full of quaking love and true sadness, family rackets, heart attacks, feral cats of all sorts, risky trysts, and reeling abandon. O'Neill's voice is singular, brave, magical, and bursting with stark beauty * Lisa Moore * Book of the Week. Well-constructed book full of poetic quirks . . . Her characters are personifications of Montreal and a dark mirror of celebrity culture * Irish News * Freewheeling novel strewn with whimsical details . . . Nouschka's tough-talking vulnerability will make you want to stick by her side as she finds her way in life * Daily Mail * An exuberantly written coming-of-age story . . . Flashbulb-bright and memorable . . . Nicolas and Nouschka are the beautiful, frozen, fetishised symbols of separatist Quebec. As they try to wrench themselves into being, their story is as entrancing and antic and sensual as a dream * Guardian *
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