Miss Julie - Softcover

August Strindberg (1849-1912) was a Swedish playwright, novelist, poet, essayist and painter. His plays include The Father (1887), Miss Julie (1888), To Damascus (1898), The Dance of Death (1900), A Dream Play (1902) and The Ghost Sonata (1908).

Howard Brenton was born in Portsmouth in 1942. His many plays include Christie in Love (Portable Theatre, 1969); Revenge (Theatre Upstairs, 1969); Magnificence (Royal Court Theatre,1973); The Churchill Play (Nottingham Playhouse, 1974, and twice revived by the RSC, 1978 and 1988); Bloody Poetry (FocoNovo, 1984, and Royal Court Theatre, 1987); Weapons of Happiness (National Theatre, Evening Standard Award, 1976); Epsom Downs (Joint Stock Theatre, 1977); Sore Throats (RSC,1978); The Romans in Britain (National Theatre, 1980, revived at the Crucible Theatre, Sheffield, 2006); Thirteenth Night (RSC,1981); The Genius (1983), Greenland (1988) and Berlin Bertie (1992), all presented by the Royal Court; Kit’s Play (RADA Jerwood Theatre, 2000); Paul (National Theatre, 2005); In Extremis (Shakespeare’s Globe, 2006 and 2007); Never So Good (National Theatre, 2008); The Ragged Trousered Philanthropists adapted from the novel by Robert Tressell (Liverpool Everyman and Chichester Festival Theatre, 2010); Anne Boleyn (Shakespeare’s Globe, 2010 and 2011); 55 Days (Hampstead Theatre, 2012); #aiww: The Arrest of Ai Weiwei (Hampstead Theatre, 2013); The Guffin (NT Connections, 2013); Drawing the Line (Hampstead Theatre, 2013); Doctor Scroggy's War (Shakespear

"Never before have I seen such urgency and conviction that these few hours on a topsy-turvy Midsummer’s Eve in late-19th-century Sweden really are a matter of life or death... Howard Brenton's confident adaptation breathes new life into this much-revived classic." —Evening Standard

"A kitchen sink drama of the most intense variety... the tension starts to build from the very first sizzle in the pan." —The Times

"Riveting... as real and sensational now as ever and as socially and politically pertinent." —Guardian

"Strindberg’s passion play remains as resonant today in Howard Brenton’s new translation as it was when first performed in the Paris of 1893." —The Observer

"Intense and visceral." —The Stage