From the Inside Flap:
From Wayson Choy comes All That Matters, the long-awaited sequel to the bestselling and award-winning The Jade Peony.
The Master said: "In words, all that matters is to express truth." -- The Analects of Confucius
Set in Vancouver's Chinatown in the 1930s and 1940s, Choy continues the story of the Chen family household, this time narrated by First Son, Kiam-Kim. We first meet Kiam-Kim at the age of eight, staring at the yellowed photograph of his mother, who died in China when he was just a baby. Kiam-Kim, Poh-Poh (his larger-than-life grandmother) and Mr. Chen, his demure and honest father, journey to a new life in Vancouver's Old Chinatown. Following the dream of finding gold and then one day returning to China -- wealthy -- they, like many Chinese families around them, find themselves in a country on the brink of the Second World War, struggling to survive in a foreign land and keep alive the traditions of an older world.
Finely-crafted and rich in historical detail, All That Matters depicts 1930s Vancouver in the haunting hues of memory, and sees in the Chen family a fragile miniature of a larger world. Dwelling on Kiam-Kim's sense of responsibility to his community, Choy unfolds the Chen family's secrets in thoughtful and luminous prose, leading the reader to a breathtaking conclusion that far transcends the limits of its time and place, and gestures towards all humanity.
From the Back Cover:
Praise for The Jade Peony and Paper Shadows:
"Rich . . . delightful . . . Choy ranges over this familiar territory with a fresh eye."
--New York Times Book Review
"A sweet and funny novel . . . beautifully written. . . . It renders a complex and complete human world, which by the end of two-hundred-odd pages we have learned to love."
--The Boston Book Review
"This is a haunted memoir, full of phantoms and secrets, but it is also full of rich historical detail and sharp, clear descriptions of daily life. . . . The unknown is always an alluring prospect, but this book suggests that what counts in the end is a more ordinary reality, the patience and forgiveness and sense of responsibility that make daily family life possible. . . . In the era of the talk-show memoir, in which telling it all passes for telling it well, Paper Shadows stands out as a thoughtful, luminous and finely crafted work."
--The Globe and Mail
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