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In her second collection of verse Elizabeth Seydel Morgan establishes herself as a poet of fierce honesty and originality. The Governor of Desire examines the world through the lens of our emotions, a perspective from which we see how everything connects―nature, politics, passion, terror, anger, grief.

Morgan’s poems are miracles of perception and grace. They shine with the sort of luster that comes only with unrelenting rigor and flawless craftsmanship. Tough yet tender, haunting yet lyrical, they are remarkable fusions―like governed desire―of form and content. The lean, sure syncopation, for instance, of “Do You Remember Where You Were?” deftly juggles recollections of the Beatles’ first hit recording and reflections on the raw violence of our recent history.

The elegiac “What Is the Most Elvis Ever Weighed?” introduces a topic we expect to be played as farce but that develops into a heart-breaking evocation of lives adrift, of dreams confounded, of youth and beauty vanished. In “Bear in Mind,” the ingenuity and complexity of Morgan’s comparisons mute our growing sense of unease, and make the sudden shift from metaphor to reality―“when the towering nightmare/ blacks out the stars”―all the more terrifying.

Morgan’s startling imagery seems not only natural but inevitable, as in “Define Space,” in which the stark absence of a loved one is personified as a kind of spiritualist of negation:

Space is not what is not,
nor the object of rockets;
it’s the way they get where they’re going.

It’s the cold blue absence of you
that bristles me into the future.

Space is the lively medium―
that made-up lady we have trouble believing
,who goes into a trance of not-being,
rolls her eyes toward the place
where you could have gone
and asks us all here to hold hands.

Alive with mystery and beauty, these poems illuminate the vicissitudes of our common experience. They are the mark of a writer of rare gifts.

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About the Author:
A native of Atlanta, Elizabeth Seydel Morgan is the author of five poetry collections, including Without a Philosophy and Spans. Morgan lives in Richmond, Virginia, near her three children and five grandchildren.
From Publishers Weekly:
The finest poems in Morgan's ( Parties ) second collection are those about family life, particularly the relationship between mother and daughter. This is a mother who, being told by a fortune teller that she would "see the world," glued "maps of the world to the wall / of our dining room." Morgan describes everyday, run-of-the-mill experiences with such an eye for detail that most readers would recognize this particular mother if she walked into a room. We'd know the room, too: Morgan's voices explicitly evoke sound and smell. They delight in the Southern landscape, and explore the ways nature resembles humanity. One wonderfully sensual poem contrasts autumn's drought that places the forests in danger with the almost-50 female speaker's dryness and willingness to abandon herself to the body's fire. A few pieces hover at the borders of form--rhymed quatrains, a villanelle on anger. Given all Morgan's ability, it is distressing that the focal point of the collection is an extremely weak sequence about various governors, past and present, who lust after women like dirty old men. Despite implications in the final poem about people who "crave disaster" and will always need governors, the metaphor here is too simple to be meaningful.
Copyright 1993 Reed Business Information, Inc.

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  • PublisherLSU Press
  • Publication date1993
  • ISBN 10 0807118125
  • ISBN 13 9780807118122
  • BindingPaperback
  • Edition number1
  • Number of pages60

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Publisher: Louisiana State Univ Pr, 1993
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