The Ghost from the Grand Banks - Softcover

Arthur C. Clarke was born in Minehead in 1917. During the Second World War he served as an RAF radar instructor, rising to the rank of Flight-Lieutenant. After the war he won a BSc in physics and mathematics with first class honours from King's College, London. One of the most respected of all science-fiction writers, he also won the KALINGA PRIZE, the AVIATION SPACE-WRITERS PRIZE,and the WESTINGHOUSE SCIENCE WRITING PRIZE. He also shared an OSCAR nomination with Stanley Kubrick for the screenplay of 2001: A SPACE ODYSSEY, which was based on his story, 'The Sentinel'. He lived in Sri Lanka from 1956 until his death in 2008.To discover more about how the legacy of Sir Arthur is being honoured today, please visit http://www.clarkefoundation.org

Setting his novel in the near future, close to the centennial of the 1912 sinking of the Titanic , SF luminary Clarke ( Childhood's End ) spins an initially ingenious scenario that only partially fulfills its potential. Two mammoth corporations strike a deal to raise the long-submerged luxury ocean liner. Parkinson's of London wants to recover a set of priceless Andrea Bellini glassware; Nippon-Turner is looking for publicity for a number of new products. Both intend to open underwater amusement parks; because the Titanic split in two parts upon sinking, each company will raise and exhibit half of the ship. But due to a variety of natural causes, the project goes awry. Clarke uses the attempted salvage operations as springboards from which to describe the technical, environmental and political changes in the year 2012. His skill as a raconteur and his accessible prose style are as engaging as ever, but his attempt to develop a secondary plot hinging on a mathematical game called the Mandelbrot Set takes the novel off course. The characters here lack dimension; and the various natural and personal disasters, which usually add to the tension, seem to be capriciously introduced without purpose. Though Clarke's speculations are both thought-provoking and entertaining, this work falls below his legendary best.
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